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BAND LEADER Brian Newton
SAX SECTION Jon Field Allan Dampier John Bewick Charlie Wright Dave Stokes TROMBONE SECTION Byron Wedgewood Mel Jones Greg Jones Fred Devereux TRUMPET SECTION Arthur Brown Ian Hattersley Trevor Darby Karl Steadman Jim Marchant RHYTHM SECTION Brian Hadley John Kent Tom Farnell
Karl Steadman
I started playing Trumpet when I was
about 7 years old, my first instrument was a B&M
Champion which I still have although it's been
modified a little since then, it now sports a
Gillespie bell and is lacquered black.
Tom Farnell
I was about 17 when I joined a local Jazz band which I played with for a couple of years before landing a professional job at the Tower Ballroom with the resident Trio. I joined the Bobby Johnson Big Band a little while later and spent a few years with his band and learnt a lot. Since then I've worked with many different bands and worked on the cruise ships, including the old QE2 and the Canberra. I worked with Fairport - Convocation and the Savoy Brown Blues Band touring the USA. I spent the last 10 years mainly teaching and gigging locally with different bands and more recently I joined the Brian Newton Big Band and am really enjoying the experience of working with a Big Band again.
Arthur Brown
I started playing trumpet at the age of 13. I soon realised that Dixieland Jazz was the Music I enjoyed the most and at the age of 17 I formed my first jazzband while doing my apprenticeship at the Austin Motor Company, and I still lead the Arthur Brown Jazzband, 50 years on. My Band has played at all ports of Europe, UK Channel Islands and the USA, where I was made Honorary Citizen of New Orleans. Although playing mainly Dixieland Jazz, I have always been involved in many of the Midland big bands which I find very challenging and musically rewarding. Thankfully Brian never forgot the days of 30 years ago when I was with the BNBB, and asked me if I would like to play with the band again, working with first class musicians and playing the original arrangements of Stan Kenton, Count Basie, Woody Herman, etc in a swinging big band that always strives to play correctly, so the answer was a definate YES!
Dave Stokes
I was born in Bristol in 1933, and at the age of 18, I joined the RAF Fighter Command Band. When I was Demobbed, I spent a lot of my time working Palais bands in Leeds, Manchester, Plymouth, Hull etc. as well as doing many summer seasons in seaside resorts all over the country. In 1961 I came to Birmingham to join the resident band at the West End Ballroom, so brought a house just outside of the city so that I could continue working around the Midland Ballrooms. After a spell in London with the Andy Ross band, I returned to Birmingham and carried working with local bands and doing theatre work. Whilst working at the ballrooms and theatre gigs, I also worked for Sandwell Education Department as a part time woodwind teacher. During my time with Sandwell Education I became a founder member of the Sandwell Youth Big Band introducing many of the younger players in the Sandwell area to the big band scene today. I hold the Baritone Sax chair with the BNBB, and have been with the band for many years.
Brian Hadley
I started studying music and piano at 9 years of
age, and still at it 61 years later.
Greg Jones
I stepped into the shoes of long time former band member, trombonist Brian Johnson in 2009. I have played for a number of midlands jazz and function bands but was won over by big bands whilst in youth jazz orchestras. Playing in the Brian Newton Big Band is a real treat, to pick up this terrific pad and open a chart from Stan Kenton’s own library, and read Frank Rosolino’s hand written annotations is quite special. This band is full of fabulous musicians and soloists and it’s a real has power and swing. If I could emulate just some of the melodic improvisation of trombonists JJ Johnson, and the tone and technique of Carl Fontana when i’m playing in the band, I would be really happy.
Fred Devereux
I learned
to play very early about age 8. For a long time I
played bass trombone in Birmingham Citadel Salvation
Army band. This is a band of high musical standards.
I am still an active member of the SA
joined Brian Newton band in 1974, and have been in the bass trombone seat since then. The standard of Brian's band is one that continues to stretch ones own standards and I thoroughly enjoy the unique repertoire of the music in the Brian Newton "pad"
I had a long career with Birmingham Music
Service as an instrumental music teacher. I have
also played in many other bands, theatre
orchestras and in dance and night club cabaret
bands.
I am equally at home in the classical world as
much as the big band jazz world and currently am
principal Bass trombonist with Birmingham
Philharmonic Orchestra where I enjoy playing at
very high standard the main and sometimes the
unusual classic repertoire.
So Stan Kenton, Woody Herman, Les Brown, Count
Basie, or Wagner, Tchaikovsky, Britten,
Rachmaninov, Shostakovich, Mozart, etc is
music to be performed as best one can and I aim
to do so for some time yet!!
Jon Field
I started my musical life playing Oboe in the school orchestra and after a short period of time I was asked join the Worcester Youth Orchestra. Having spent most of my school days playing the Oboe I decided on leaving school to trade it in for a Saxophone, and started to learn Big Band and Jazz, moving away for the classical side of music altogether. Over the years, since leaving school, ( I'm 40 now), I have played with a few bands around the midlands, but got a lot of experience while playing in the BJ Youth, run by Bobby Johnson. I have recently joined the BNBB, being the youngest member I've brought the average age down by 20 years or so! Being able to play in a band of this calibre is some thing I've always wanted to do, sitting in the Sax section amongst some of the best musicians in the business is privilege I'm glad that I've had, and it a great feeling to know that the music we play is living on because of the dedication of the guys in the band helping to keep big band sounds of yesteryear how they should be........LIVE.
Trevor Darby
I started playing trumpet aged 14 and played with various bands around the Birmingham area including the Ronnie Hancox Orchestra and Norman Dovey Band. I'm one of the few original members of the BNBB when it started in 1961. I left the BNBB in 1964 to emigrate to Perth W. Australia, where I lived and worked for 14 years, leading a resident 8 piece band at the Embassy Ballroom (Perth), under the name of Hans Jerome Orchestra. During the 5 year period at the Embassy, I formed an 18 piece big band, and recorded for TV and radio at ABC in Perth. Later as Perth opened up Channel 7 and Channel 9 TV Studios, I was fortunate to work on shows such as Young Talent Time, various Telethons, Miss WA etc, as well as working with Australian and International artists such as, Rolf Harris, Paul Hogan, The Bee Gees, Cilla Black, Harry Secombe, Jimmy Edwards, Johnny Mathis. Johnny Ray, Liberace, Judith Durham( Seekers), tony and Jackie Trent, and any more..... I was also a member of the Will Upson Big Band, who also recorded at ABC channel 7 & 9. I did several recording for commercials at the Armstrong Studios in Perth, as well as playing for theatre productions such as "hair", Man From LaMancha ( Don Quixote). I returned to England in 1978, and after leading a small band for a couple of years I was asked to join the BNBB again in 1981, on 5th trumpet, doing the occasional split lead with Fred Rudge. When Fred died a few years later I took over the lead trumpet chair, which I split with Karl Steadman.
John Bewick
I first played with the BNBB back in the 70's and 80's doing 20 years service while the band was at it's peak, winning the BBC Radio 2 Big Band Competition, during which time I mainly played the Lead Alto chair. I'm currently on my second tour of duty with the BNBB after rejoining the BNBB in 2005 and now alternate between lead Alto and 1st Tenor with Alan. I love both Big Band, especially The Mingus Big Band, and small group Modern Jazz with my favourite musicians being Miles Davis, John Coltrane, Wayne Shorter, Tony Williams, and more recently Kenny Garret.
Mel Jones
I’ve been playing since I was given a Euphonium at 17!!! at Cadbury’s Silver Band (an old sacbut type Trombone came later…still in the loft). After lessons with Harold Greensmith and Fred Mercer I took a few exams, but packed up when I was on nights…..Arthur Brown got me playing again on a float at Bromsgrove Carnival….I’ve not looked back since then. Played with Arthur’s Jazz band for a while and then helped to form the Brian King Band 7 piece, (Brian Parry, Brian Summers etc.) ,did the usual clubs weddings etc. after 14 yrs we disbanded and fortunately the Southside Band was just starting. Great!! I have been there almost from the beginning. I joined the Brian Newton band on a ‘temporary’ basis (not sure when 10/12yrs?) to cover Pete Lacey who’d broke his toe and couldn’t drive from Derby? It’s taking a long time to repair!! I’ve had many happy and challenging years with the band and look forward to more great nights. I left Cadbury’s and went into teaching as Deputy Head at a Primary School. I’ve had a few music pupils and tutor a bit as well as dabble with Guitar, Sax, Clarinet and flute which enables me to help my grandchildren and nieces musically!!
Jim Marchant
Music has been my hobby for many years and playing an instrument has given me an insight and understanding into music I would never have had I was very fortunate to see the Big Bands of the late1940's and hear Jazz groups of the 1950's which gave me the enthusiasm to be involved in music and modern jazz in particular. One of the first bands I played in was The Brian Newton Big Band from 1961 to 196. It was a great time, enabling me to meet some fine musicians and play good music. Over the years I have played with various rehearsal bands, small band Jazz units and Jazz fusion groups. I rejoined the BNBB in 2004 and still enjoy the opportunity to be involved. Band leaders like Brian Newton create a platform enabling musicians to play together and with out their tremendous efforts we would all miss out
John Kent
Charlie Wright
Something of an enigma, Charlie hardly ever ventures a comment. The man is virtually monosyllabic. Currently on his second stint with the band, this time on alto, what little information we have managed to gather is as follows. Age: A closely guarded secret Likes: Ben Webster, Dexter Gordon, scantily clad ladies, fine champagne, vintage port and beautiful saxophones Vices: Collecting saxophones, stilettos – but only on the above mentioned ladies and ISIHGAC Dislikes: Musicians who play out of tune and can’t tell or don’t care Weaknesses: Never can resist a solo opportunity or a bargain Fave chord: Em7alt♭5♯11+19sus4/D Life goal To wear a better hat than Damps
If you are willing to take the risk of engaging him in conversation, we suggest you offer any of the things on his likes list and hope for the best. Failing that take him for a decent curry
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